Summary

The global market for Live Streaming Equipment was estimated to be worth US$ 2434 million in 2024 and is forecast to a readjusted size of US$ 4213 million by 2031 with a CAGR of 8.3% during the forecast period 2025-2031.
Live streaming equipment encompasses a variety of devices and tools designed to capture, process, and broadcast live video and audio over the internet. The primary components include cameras, microphones, audio interfaces, lighting, capture cards, streaming software, and a stable internet connection. Together, these elements work in harmony to ensure high-quality, real-time transmission of content to viewers across platforms like YouTube, Twitch, and Facebook Live.

Global key players of Live Streaming Equipment include Canon, Sony, Panasonic, Logitech, Elgato, etc. The top five players hold a share about 51%. Asia-Pacific is the world's largest market for Live Streaming Equipment and holds a share about 33%, followed by North America and Europe, with share about 31% and 27%, separately. In terms of product type, Camera is the largest segment, accounting for a share about 62%. In terms of application, Entertainment is the largest field with a share about 37 percent.
This report aims to provide a comprehensive presentation of the global market for Live Streaming Equipment, focusing on the total sales revenue, key companies market share and ranking, together with an analysis of Live Streaming Equipment by region & country, by Type, and by Application.

The Live Streaming Equipment market size, estimations, and forecasts are provided in terms of sales revenue ($ millions), considering 2024 as the base year, with history and forecast data for the period from 2020 to 2031. With both quantitative and qualitative analysis, to help readers develop business/growth strategies, assess the market competitive situation, analyze their position in the current marketplace, and make informed business decisions regarding Live Streaming Equipment.

Market Segmentation
By Company
Canon
Sony
Panasonic
Logitech
Elgato
MOMA
Aputure
FOR-A COMPANY LIMITED
AVerMedia
Crestron
Extron
Segment by Type
Camera
Microphone
Lighting
Encoder
Others
Segment by Application
E-Commerce
Entertainment
Sports
Education
Others
By Region
North America
United States
Canada
Asia-Pacific
China
Japan
South Korea
Southeast Asia
India
Australia
Rest of Asia-Pacific
Europe
Germany
France
U.K.
Italy
Netherlands
Nordic Countries
Rest of Europe
Latin America
Mexico
Brazil
Rest of Latin America
Middle East & Africa
Turkey
Saudi Arabia
UAE
Rest of MEA

Chapter Outline
Chapter 1: Introduces the report scope of the report, global total market size. This chapter also provides the market dynamics, latest developments of the market, the driving factors and restrictive factors of the market, the challenges and risks faced by manufacturers in the industry, and the analysis of relevant policies in the industry.
Chapter 2: Detailed analysis of Live Streaming Equipment company competitive landscape, revenue market share, latest development plan, merger, and acquisition information, etc.
Chapter 3: Provides the analysis of various market segments by Type, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different market segments.
Chapter 4: Provides the analysis of various market segments by Application, covering the market size and development potential of each market segment, to help readers find the blue ocean market in different downstream markets.
Chapter 5: Revenue of Live Streaming Equipment in regional level. It provides a quantitative analysis of the market size and development potential of each region and introduces the market development, future development prospects, market space, and market size of each country in the world.
Chapter 6: Revenue of Live Streaming Equipment in country level. It provides sigmate data by Type, and by Application for each country/region.
Chapter 7: Provides profiles of key players, introducing the basic situation of the main companies in the market in detail, including product revenue, gross margin, product introduction, recent development, etc.
Chapter 8: Analysis of industrial chain, including the upstream and downstream of the industry.
Chapter 9: Conclusion.

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Table of Contents

1 Market Overview
1.1 Live Streaming Equipment Product Introduction
1.2 Global Live Streaming Equipment Market Size Forecast (2020-2031)
1.3 Live Streaming Equipment Market Trends & Drivers
1.3.1 Live Streaming Equipment Industry Trends
1.3.2 Live Streaming Equipment Market Drivers & Opportunity
1.3.3 Live Streaming Equipment Market Challenges
1.3.4 Live Streaming Equipment Market Restraints
1.4 Assumptions and Limitations
1.5 Study Objectives
1.6 Years Considered
2 Competitive Analysis by Company
2.1 Global Live Streaming Equipment Players Revenue Ranking (2024)
2.2 Global Live Streaming Equipment Revenue by Company (2020-2025)
2.3 Key Companies Live Streaming Equipment Manufacturing Base Distribution and Headquarters
2.4 Key Companies Live Streaming Equipment Product Offered
2.5 Key Companies Time to Begin Mass Production of Live Streaming Equipment
2.6 Live Streaming Equipment Market Competitive Analysis
2.6.1 Live Streaming Equipment Market Concentration Rate (2020-2025)
2.6.2 Global 5 and 10 Largest Companies by Live Streaming Equipment Revenue in 2024
2.6.3 Global Top Companies by Company Type (Tier 1, Tier 2, and Tier 3) & (based on the Revenue in Live Streaming Equipment as of 2024)
2.7 Mergers & Acquisitions, Expansion
3 Segmentation by Type
3.1 Introduction by Type
3.1.1 Camera
3.1.2 Microphone
3.1.3 Lighting
3.1.4 Encoder
3.1.5 Others
3.2 Global Live Streaming Equipment Sales Value by Type
3.2.1 Global Live Streaming Equipment Sales Value by Type (2020 VS 2024 VS 2031)
3.2.2 Global Live Streaming Equipment Sales Value, by Type (2020-2031)
3.2.3 Global Live Streaming Equipment Sales Value, by Type (%) (2020-2031)
4 Segmentation by Application
4.1 Introduction by Application
4.1.1 E-Commerce
4.1.2 Entertainment
4.1.3 Sports
4.1.4 Education
4.1.5 Others
4.2 Global Live Streaming Equipment Sales Value by Application
4.2.1 Global Live Streaming Equipment Sales Value by Application (2020 VS 2024 VS 2031)
4.2.2 Global Live Streaming Equipment Sales Value, by Application (2020-2031)
4.2.3 Global Live Streaming Equipment Sales Value, by Application (%) (2020-2031)
5 Segmentation by Region
5.1 Global Live Streaming Equipment Sales Value by Region
5.1.1 Global Live Streaming Equipment Sales Value by Region: 2020 VS 2024 VS 2031
5.1.2 Global Live Streaming Equipment Sales Value by Region (2020-2025)
5.1.3 Global Live Streaming Equipment Sales Value by Region (2026-2031)
5.1.4 Global Live Streaming Equipment Sales Value by Region (%), (2020-2031)
5.2 North America
5.2.1 North America Live Streaming Equipment Sales Value, 2020-2031
5.2.2 North America Live Streaming Equipment Sales Value by Country (%), 2024 VS 2031
5.3 Europe
5.3.1 Europe Live Streaming Equipment Sales Value, 2020-2031
5.3.2 Europe Live Streaming Equipment Sales Value by Country (%), 2024 VS 2031
5.4 Asia Pacific
5.4.1 Asia Pacific Live Streaming Equipment Sales Value, 2020-2031
5.4.2 Asia Pacific Live Streaming Equipment Sales Value by Region (%), 2024 VS 2031
5.5 South America
5.5.1 South America Live Streaming Equipment Sales Value, 2020-2031
5.5.2 South America Live Streaming Equipment Sales Value by Country (%), 2024 VS 2031
5.6 Middle East & Africa
5.6.1 Middle East & Africa Live Streaming Equipment Sales Value, 2020-2031
5.6.2 Middle East & Africa Live Streaming Equipment Sales Value by Country (%), 2024 VS 2031
6 Segmentation by Key Countries/Regions
6.1 Key Countries/Regions Live Streaming Equipment Sales Value Growth Trends, 2020 VS 2024 VS 2031
6.2 Key Countries/Regions Live Streaming Equipment Sales Value, 2020-2031
6.3 United States
6.3.1 United States Live Streaming Equipment Sales Value, 2020-2031
6.3.2 United States Live Streaming Equipment Sales Value by Type (%), 2024 VS 2031
6.3.3 United States Live Streaming Equipment Sales Value by Application, 2024 VS 2031
6.4 Europe
6.4.1 Europe Live Streaming Equipment Sales Value, 2020-2031
6.4.2 Europe Live Streaming Equipment Sales Value by Type (%), 2024 VS 2031
6.4.3 Europe Live Streaming Equipment Sales Value by Application, 2024 VS 2031
6.5 China
6.5.1 China Live Streaming Equipment Sales Value, 2020-2031
6.5.2 China Live Streaming Equipment Sales Value by Type (%), 2024 VS 2031
6.5.3 China Live Streaming Equipment Sales Value by Application, 2024 VS 2031
6.6 Japan
6.6.1 Japan Live Streaming Equipment Sales Value, 2020-2031
6.6.2 Japan Live Streaming Equipment Sales Value by Type (%), 2024 VS 2031
6.6.3 Japan Live Streaming Equipment Sales Value by Application, 2024 VS 2031
6.7 South Korea
6.7.1 South Korea Live Streaming Equipment Sales Value, 2020-2031
6.7.2 South Korea Live Streaming Equipment Sales Value by Type (%), 2024 VS 2031
6.7.3 South Korea Live Streaming Equipment Sales Value by Application, 2024 VS 2031
6.8 Southeast Asia
6.8.1 Southeast Asia Live Streaming Equipment Sales Value, 2020-2031
6.8.2 Southeast Asia Live Streaming Equipment Sales Value by Type (%), 2024 VS 2031
6.8.3 Southeast Asia Live Streaming Equipment Sales Value by Application, 2024 VS 2031
6.9 India
6.9.1 India Live Streaming Equipment Sales Value, 2020-2031
6.9.2 India Live Streaming Equipment Sales Value by Type (%), 2024 VS 2031
6.9.3 India Live Streaming Equipment Sales Value by Application, 2024 VS 2031
7 Company Profiles
7.1 Canon
7.1.1 Canon Profile
7.1.2 Canon Main Business
7.1.3 Canon Live Streaming Equipment Products, Services and Solutions
7.1.4 Canon Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.1.5 Canon Recent Developments
7.2 Sony
7.2.1 Sony Profile
7.2.2 Sony Main Business
7.2.3 Sony Live Streaming Equipment Products, Services and Solutions
7.2.4 Sony Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.2.5 Sony Recent Developments
7.3 Panasonic
7.3.1 Panasonic Profile
7.3.2 Panasonic Main Business
7.3.3 Panasonic Live Streaming Equipment Products, Services and Solutions
7.3.4 Panasonic Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.3.5 Panasonic Recent Developments
7.4 Logitech
7.4.1 Logitech Profile
7.4.2 Logitech Main Business
7.4.3 Logitech Live Streaming Equipment Products, Services and Solutions
7.4.4 Logitech Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.4.5 Logitech Recent Developments
7.5 Elgato
7.5.1 Elgato Profile
7.5.2 Elgato Main Business
7.5.3 Elgato Live Streaming Equipment Products, Services and Solutions
7.5.4 Elgato Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.5.5 Elgato Recent Developments
7.6 MOMA
7.6.1 MOMA Profile
7.6.2 MOMA Main Business
7.6.3 MOMA Live Streaming Equipment Products, Services and Solutions
7.6.4 MOMA Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.6.5 MOMA Recent Developments
7.7 Aputure
7.7.1 Aputure Profile
7.7.2 Aputure Main Business
7.7.3 Aputure Live Streaming Equipment Products, Services and Solutions
7.7.4 Aputure Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.7.5 Aputure Recent Developments
7.8 FOR-A COMPANY LIMITED
7.8.1 FOR-A COMPANY LIMITED Profile
7.8.2 FOR-A COMPANY LIMITED Main Business
7.8.3 FOR-A COMPANY LIMITED Live Streaming Equipment Products, Services and Solutions
7.8.4 FOR-A COMPANY LIMITED Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.8.5 FOR-A COMPANY LIMITED Recent Developments
7.9 AVerMedia
7.9.1 AVerMedia Profile
7.9.2 AVerMedia Main Business
7.9.3 AVerMedia Live Streaming Equipment Products, Services and Solutions
7.9.4 AVerMedia Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.9.5 AVerMedia Recent Developments
7.10 Crestron
7.10.1 Crestron Profile
7.10.2 Crestron Main Business
7.10.3 Crestron Live Streaming Equipment Products, Services and Solutions
7.10.4 Crestron Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.10.5 Crestron Recent Developments
7.11 Extron
7.11.1 Extron Profile
7.11.2 Extron Main Business
7.11.3 Extron Live Streaming Equipment Products, Services and Solutions
7.11.4 Extron Live Streaming Equipment Revenue (US$ Million) & (2020-2025)
7.11.5 Extron Recent Developments
8 Industry Chain Analysis
8.1 Live Streaming Equipment Industrial Chain
8.2 Live Streaming Equipment Upstream Analysis
8.2.1 Key Raw Materials
8.2.2 Raw Materials Key Suppliers
8.2.3 Manufacturing Cost Structure
8.3 Midstream Analysis
8.4 Downstream Analysis (Customers Analysis)
8.5 Sales Model and Sales Channels
8.5.1 Live Streaming Equipment Sales Model
8.5.2 Sales Channel
8.5.3 Live Streaming Equipment Distributors
9 Research Findings and Conclusion
10 Appendix
10.1 Research Methodology
10.1.1 Methodology/Research Approach
10.1.1.1 Research Programs/Design
10.1.1.2 Market Size Estimation
10.1.1.3 Market Breakdown and Data Triangulation
10.1.2 Data Source
10.1.2.1 Secondary Sources
10.1.2.2 Primary Sources
10.2 Author Details
10.3 Disclaimer